"Manbhavan-Youth Festival 2023"

Greetings, readers! While we typically delve into academic blogs, today's post takes a different turn as I reminisce about the vibrant memories from the Four-day youth festival. This blog is crafted in response to a task assigned by Dr. Dilip Barad Sir, prompting us to showcase our literary and critical skills by reflecting on the events we experienced during the Youth Festival 2023.

This blog aims to provide a concise overview of the various events hosted during the Youth Festival 2023 organized by Maharaj Krishnakumarsinhji Bhavnagar University.

The 31st Youth Festival, organized by the Physical Education Departments of the University, unfolded from November 2nd to November 5th. Revolving around the central theme of "Nari Shakti Vandana," inspired by the recently enacted Nari Shakti Vandana bill in Parliament, the festival aimed to honor women from diverse fields. Witnessing the participation of over 1,000 students, with approximately 700 of them being girls, was truly heartening and epitomized the spirit of Nari Shakti Vandana.

The festival showcased a total of 32 competitions organized across five sections, encompassing Literature, Music, Fine Arts, Dance, and Theatre, each bearing a distinctive name:

- "मनभावन शब्दम" - English Department

- "मनभवन स्वरम" - New Court Hall

- "मनभावन नृत्यम" - Amphitheatre

- "मनभावन नाट्यम" - Atal Auditorium

- "मनभावन रंगमच" - External Department

Kalayatra

First day was about Kalayatra. it was on 2nd November. This year we Student of Department of English, MKBU also Participated in this event and we gave our best. This Year we go with the theme. Our theme of Kalayatra was "Oppression to Freedom".

Themes represented in various tableaux of Kala-yatra.

Here are some themes which is used by colleges and Departments for Kalayatra:-

The Kala-Yatra exhibition seems to cover a diverse range of themes, each portraying a unique aspect of cultural, historical, and societal significance. Here's an analysis of the themes portrayed in the various tableaux:

1. Chandrayaan-3:

Scientific Achievement: The depiction of Chandrayaan on a cycle symbolizes India's journey into space exploration. It not only celebrates the scientific achievement of launching Chandrayaan but also connects it with the inspiration drawn from Abdul Kalam.

Inclusivity: The mention of the participation of women in Chandrayaan emphasizes inclusivity and the breaking of gender barriers in scientific endeavors. This aligns with the broader theme of "Narishakti Vandana" and recognizes the significant role of women in the space expedition.

Cultural Integration: The reference to ancient Vedas and history suggests a cultural integration in the theme. It highlights the deep-rooted connection between scientific advancements and India's rich cultural heritage.

National Pride: The representation of India's Space Expedition contributes to a sense of national pride, emphasizing the country's capabilities in space exploration. This aligns with the broader narrative of showcasing and celebrating India's achievements.

2. NARISHAKTI VANDANA:

Goddess Worship: The theme of worshiping nine goddess avatars reflects a cultural and spiritual dimension. It aligns with the concept of "Narishakti Vandana," emphasizing the divine feminine and the power attributed to women in various forms.

Symbolism: The phrase "Navdurga rupe samprat narishakti ne vandan" not only symbolizes the worship of goddess avatars but also suggests a collective reverence for the diverse roles and strengths embodied by women.

3. Rural Women's Contribution in Women Development:

Historical Contributions: The theme focusing on Kasturba Gandhi, Ilaben Bhatt, Jasvantiben Popat, and Sarita Gaykwad highlights the historical contributions of these women in women's development. It acknowledges their efforts and achievements in different fields.

Empowerment: The title "Nari Sanghrshnthi Samunnati" suggests the empowerment and progress of women through their struggles. It portrays a narrative of resilience and determination in the face of challenges.

4. Women: Oppression to Freedom:

The Department of English embarked on a compelling journey through its chosen theme, illustrating the transformative evolution of women from traditional roles to modern pursuits. The tableau meticulously delved into various dimensions, encapsulating the aspirations of individuals like Govalan, the persistent issue of child marriage (Balikavadhu), the arduous lives of working women, the expectations placed on Paniharis, and the often-unseen efforts of mothers and wives. Additionally, the portrayal touched upon the somber existence of widows facing a colorless life amidst societal suppression.

As the narrative unfolded, the focus shifted towards women challenging conventional roles, boldly breaking societal shackles, and achieving excellence in diverse fields. The empowered women showcased their prowess in domains ranging from business, law, engineering, and cricket to the navy, dance, medicine, and journalism. Notably, these trailblazers also dedicated themselves to uplifting those suppressed by societal norms.

Participating in Kalayatra proved to be an enriching experience, requiring dedicated effort from theme selection to execution. The diverse array of activities, including face painting, slogan creation, preparing cardboard, arranging costumes, collecting props, choreography, and acting, all contributed to a holistic learning experience. The success of the event was undoubtedly a testament to the invaluable efforts and guidance provided by Alpa Mam, whose mentorship played a pivotal role in bringing this multifaceted portrayal to life.

Here is Video of Our Kalayatra:-

Here is Whole Recording of Kalayatra:-

Here it is Schedule of all three day's Youth Festival:-

Inauguration Function:-

On November 3rd, a well-organized event unfolded with distinguished attendees, including M.M. Trivedi, Sagardan Gadhvi, Hetal Mehta, Ami Upadhyay, and Bhartiben Shiyal. The entire program was skillfully hosted by two students, creating a vibrant atmosphere. Sagardan Gadhvi further enriched the event with a melodious song, adding a musical dimension to the occasion. The Kalapath Group contributed to the cultural tapestry with a Stuti performance centered around the theme of Narivandana. Their rendition included soulful songs like "Jay Jay Jag Janni Devi" and "Aygiri Nandini," creating a captivating experience for the audience. Notably, the guests shared insights on the significance of the National Education Policy (NEP) 2020 and emphasized the holistic development of students, contributing to a well-rounded and enlightening event.

Here is Recording of this:-

मनभावन नाट्यम" - Atal Auditorium

Major themes in dramatic events like One Act Play (एकांकी), Skit (लघु नाटक), Mime (मूक अभिनय) , Mono-acting (एक पात्रीय अभिनय).

Themes of Skit:-

The skit unfolded as a dynamic exploration of diverse and pressing themes, offering a comprehensive snapshot of India's multifaceted landscape. Beginning with a tribute to India's space achievements, notably Chandrayaan, the performance seamlessly transitioned to grapple with weighty issues, including unemployment and challenges embedded in our education system. Tackling the nuanced debate surrounding the name 'Bharat,' the skit deftly shifted focus to regional concerns in Manipur, such as alcohol bans and the deplorable condition of roads in Bhavnagar.

No stone was left unturned as the skit delved into the fabric of everyday challenges, addressing superstitions and the perceived inaction of the Bhavnagar Municipal Corporation (BMC). The audience was captivated by humorous jabs at the ubiquitous presence of BMC vehicles seemingly everywhere except where needed, turning the city's construction process into a playful spectacle.

While underscoring the gravity of these issues and their impact on daily life, the skit ingeniously injected humor by highlighting the ironic employment opportunities arising from public inconveniences. From fixing flat tires to repairing cars and engaging in construction work, the skit subtly portrayed how challenges, while burdensome for the public, inadvertently contribute to certain sectors of employment.

The performance seamlessly weaved through various thematic threads, exploring the value of traditions, the menace of online fraud, and the perennial issue of wandering cattle. Amid concerns of pollution and messiness, the skit managed to shine a light on positive aspects of India's policies. It bravely tackled topics often sidestepped, including corruption, the dual nature of school donations, challenges posed by inflation, and the pervasive issue of nepotism.

The skit fearlessly questioned the efficacy of democracy, delving into the aftermath of demonetization and the intricate web of problems related to pollution. A masterful performance, it engaged the audience in contemplation, providing a vivid portrayal of the myriad challenges and triumphs shaping our contemporary world. The skit left an indelible mark, prompting spectators to reflect on the complexities that define our shared reality.

Here is Video Recording of Skit:-

Themes of Mono:-

The mono-acting performance unfolded as a poignant portrayal, shedding light on the formidable challenges faced by women in various walks of life. Skillfully navigating through different aspects, it offered a compelling exploration of the hardships experienced by suppressed women, creating a thought-provoking narrative.

Throughout the mono-acting performance, several themes were adeptly addressed, each contributing to a rich and diverse representation. The dominance of males, the struggles encountered by the third gender, the stark realities of poverty, and the emotionally charged tale of Radha, the mother of Karna, were all skillfully depicted. The narrative extended its reach to encompass challenges within college premises, unraveling the haunting illusion of a mother coping with the tragic loss of her daughter.

Moreover, the performance intricately wove in portrayals of "Godse" and "Koi Krishna Avatar Nahi Dhare," along with a compelling story narrated by a rural girl. This inclusion emphasized the importance of conserving stories and experiences, adding layers of depth to the overall narrative. The mono-acting deftly navigated through this tapestry of diverse themes, offering a nuanced and impactful representation that resonated with the audience.

In essence, the mono-acting performance emerged as a powerful medium, effectively conveying the myriad challenges faced by women and transcending various social, emotional, and cultural dimensions. The carefully crafted narrative succeeded in creating a lasting impression, urging contemplation on the complex and often overlooked facets of women's lives.

Here is Video Of Mono Acting:-

Themes of One Act Play:-

1. Kashmir Crisis:

- Genre: Drama/Tragedy

- Themes: Uncertainty and anguish over the fate of loved ones, the impact of conflict on women's lives, tragedy of not knowing the fate of family members, survival-driven decisions, loss, violence, and complexities of personal relationships.

2. Laxmi:

- Genre: Tragedy

- Themes: Consequences of societal expectations, dehumanizing effects of objectification, alienation, sexual violence, and the tragic impact of such experiences on an individual's mental and emotional well-being.

3. Vat Ek Vyathani:

- Genre: Dramatic Narrative/Modern Adaptation

- Themes: Reinterpreting old stories, giving women stronger roles, challenging traditional portrayals of female characters like Sita, Kaikayi, Urmila, and Manthra.

4. Jo Guzar Na Saki Wo Zindagi Humne Guzari Hai:

- Genre: Social Drama/Realistic Drama

- Themes: Social issues, crime, harsh realities faced by vulnerable individuals.

5. Meran:

- Genre: Romantic/Dramatic Realism

- Themes: Nature, vitality of the forest, survival challenges faced by tribal people, transformative impact of the wilderness on characters, primal behavior turning animalistic, women's struggle for protection and survival.

First Day of One Act Play Here is Link of it:-

6. Mahamrutyunjay:

- Themes: Conclusion of Krishna's story, exploration of Krishna's character, narratives associated with Krishna.

7. Christy Brown:

- Themes: Overcoming physical challenges, artistic expression, different life stages of Christy Brown.

- Literary Theory: Potential application of "disability studies" to explore how the play portrays and examines the experiences of a person with cerebral palsy.

These summaries provide a snapshot of the genres and themes embedded in each play, offering a glimpse into the diverse narratives and explorations they bring to the stage.

Here is Second Part of One Act Play:-

Themes of Mimes:-

Mime, a captivating theatrical technique that relies on gestures and bodily movements rather than words, served as the expressive canvas for a series of compelling performances, each uniquely centered around a distinct theme. In this instance, the mime presentations were crafted around the following themes:

1. Charan Kanya:

- Description: The theme revolves around the concept of "Charan Kanya," implying a portrayal through gestures and movements that captures the essence of this idea without verbal communication.

2. Women Empowerment:

- Description: Through mime, the narrative unfolded to illustrate the story of how male dominance suppresses women and, in turn, how women overcome these challenges to find their voice and empowerment. The performance aimed to shed light on the transformative journey of women in their quest to assert themselves.

3. Para Olympics:

- Description: The theme of Para Olympics in mime likely showcased the resilience, determination, and achievements of differently-abled individuals, portraying their triumphs through the powerful medium of gestures and movements.

4. The Importance of Outdoor Games Over Mobile Games:

- Description: Using mime, the performance likely emphasized the benefits and joys of outdoor games while contrasting them with the isolating nature of mobile games. The expressive movements conveyed a message about the value of physical activity and social interaction.

5. Achievements of India in Various Sectors:

- Description: This theme would have been brought to life through mime, portraying key milestones and successes across diverse sectors in India. The silent performances likely highlighted achievements in fields such as science, technology, arts, and sports.

In particular, the mime performance centered on women empowerment skillfully depicted the challenges faced by women, offering a visual narrative of their journey toward finding strength and asserting their voices. The absence of words added a universal quality to the storytelling, allowing the audience to connect with the emotional and empowering aspects conveyed solely through the actors' gestures and movements.

Here is Recording of this Mime Performance:-

Mimicry

In mimicry from our department semester-1 student jay participated. In mimicry there was one guy who won first rank he was so good while doing mimicry his storyline was so good.

Here is Recording of this Competition:-

मनभावन शब्दम" - English Department

Poetry: In poetry, we have only one event in Youth Festival. સ્વ રચિત કાવ્ય પઠન: If you get chance to listen poems (as it will be in classroom and may be all do not get chance to occupy space) - write on themes, metaphors used in the poems, types of poems (sonnet, lyric etc).

Poetry Writing:-

I had the incredible opportunity to attend a poetry competition at the English Department, immersing myself in the rich tapestry of creative expression woven by emerging poets. The experience was nothing short of extraordinary, as I had the privilege of witnessing the diverse and innovative works crafted by these talented wordsmiths.

Guiding the trajectory of this poetic journey were three distinguished judges: Parul Khakhar, Snehi Parmar, and Ketan Kanpariya. Each of them stands as a luminary in the realm of literature, wielding their pens to create masterful works that have left an indelible mark on their respective times. Their roles as judges in this competition added a layer of expertise and discernment, elevating the event to a profound exploration of poetic artistry.

Parul Khakhar, Snehi Parmar, and Ketan Kanpariya, each a great writer in their own right, brought a wealth of literary insight and experience to the judging panel. Their discerning eyes and keen appreciation for the written word undoubtedly contributed to the recognition and celebration of the emerging poets' creative endeavors.

In the presence of such literary luminaries, the poetry competition became not only a showcase of emerging talents but also an invaluable platform where the art of words was appraised and honored by those who have carved their own paths in the realm of creative writing. From our Department Upasana Participated in this.

These are some topics which given for Poetry Writing:-

1. ઉમ્મીદ

2. બાળપણ ખોવાણું

3. સ્મરણોની કેડીએ

4.જે કર જૂલાવે પારણું

5. મેરી મિટ્ટી મેરા દેશ

Here are some glimpse of this Event:-

Elocution Competition:-

I get a chance to witness all Elocution from all colleges there are 25 to 30 Participant's from all colleges and Departments. From our Department Trushali Dodiya she Participated in this Competition.

Here are some Subjects which are given to them for this competition:-

આર્ટિફિશિયલ ઇન્ટેલિજન્સ: કેટલું પડકારજનક?

યત્ર નર્યાત્સુ પૂજ્યંતે

ચાલો વૃધ્ધાશ્રમ ઘટાડીએ

પર્યાવરણ અને માનવ: એક સિક્કાની બે બાજુ

Global Terrorism: Implications and Solutions વૈશ્વિક આતંકવાદ: અસરો અને ઉકેલો

बुलंद भारत की बुलंद तसवीर

Here is Recording of this:-

Here are some Glimpses of Elocution:-

Bhajan:-

The performed bhajans, such as "એકલા આવ્યા મનવા, એકલા જવાના" and "વીજળીને ચમકારે મોતીડા પરોવો પાનબાઈ," delve into themes of solitude, spiritual exploration, love, and self-discovery. These bhajans, with their profound messages, resonate with the cultural richness encapsulated in Gujarati language and expressions like "મોતીડા પરોવો પાનબાઈ," adding a local touch to the spiritual narrative.

Comparatively, in English literature, one evaluates the essence, style, and literary devices employed in a piece. Bhajans, akin to poems or stories in English literature, address universal themes. For instance, the solitude-themed bhajans find resonance in works like Robert Frost's "Stopping by Woods on a Snowy Evening," where the focus is on introspection and contemplation.

Moreover, the use of Gujarati words like "મોતીડા પરોવો પાનબાઈ" not only adds a cultural dimension but also mirrors how English literature incorporates its own cultural references. Each language and culture bring unique nuances to storytelling. In the vast tapestry of literature, whether in bhajans or English works, the exploration of personal journeys and deep contemplation remains a common thread, showcasing the universal human experience.

Here is Recording of this:-

Sugam Geet:-

Here is picture of participant from department she is Hardy from semester -1.

Essay competition:-

There are several topic which are given to participants and they have to write essay on that topic. From department Insiya she participated in this.

Here are topics which is given:-

1. India's Space Odyssey

2. From the Kitchen to Cabinet - Women, Don't Give Up

3. Are Wars Inevitable?

4. The Importance of Value based Education

5. Plastic Pollution - Problems & Resolution

Quiz competition:-

Here are some glimpses of quiz competition:-

"मनभावन रंगमच" - External Department

On last day, before or after valedictory, all art events of FINE ARTS like cartooning, painting, collage, poster making, clay-modelling, installation will be open for public display. You can study themes, satire, didacticism, aestheticism in all these artistic expressions.

1). Cartooning:-

Cartooning is a distinctive form of visual storytelling that diverges from traditional painting, serving as a potent vehicle for humor, critique, and social commentary. Exaggeration is a key element, amplifying features for satirical effect and highlighting the cartoonist's perspective. This intentional distortion not only conveys humor but also provides a memorable means of conveying messages, whether addressing political figures, societal issues, or eliciting laughter.

Cartoons serve as a vehicle for critique, shedding light on injustices, inequalities, or absurdities, and fostering conversations about contemporary issues. Whether found in editorial cartoons, comic strips, or webcomics, this art form remains a dynamic and influential medium that continues to entertain, provoke thought, and contribute to the ongoing dialogue about the society we inhabit.

From Semester-1 Dhatri Participated in this event and Secure Second Rank:-

Here are some Subjects which given for Cartooning:-

મોંઘવારી

ચૂંટણી

ગાંધીજી અને જનતા

Here are some Glimpse of Cartooning:-

2). Poster Making:-

The subjects for poster making were "Vrudhdhoni Seva" (Service to the Elderly), "Pani Bhachavo" (Save Water), and "Kanya Shikshan" (Education for Girls).

Here are some Glimpse of this Competition:-

3). On the Spot Painting:-

The theme of the painting was 'ઉત્સવોની ઉજાવણી, નારશક્તિને વંદન,( Celebration of Festivity, Salutations to Women Power)' and Hina from semester-3 she participated from our department of English.

Here are some Glimpse:-

4). Clay Modelling:-

These are some Subjects given for this competition:-

1. માતૃપ્રેમ

2. ગ્રામ્ય જીવન

3. સંગીતકાર

From our Department Rajeshwari ba Participated in Clay Modelling. Here are some Glimpse of that:-

5). Installation:-

In Installation team of four Student from each college can participate. From our Department of English me, Pooja Bhuva, RajeswariBa Rana, and Bhvayata kukadiya Were there in this Competition.

Here are some Subjects which are given to us:-

1. નારીશક્તિ (Women Power)

2. સુરક્ષા

3. મજૂર

4. ચિકિત્સા (આયુર્વેદના સંદર્ભમાં)

Here are some Glimpses of us taking all material and creating something out of Waste:-

Rangoli:-

From Department of English Trushali participated in Rangoli and Secure Second Rank in it.

Valedictory Function:-

The grand finale at the amphitheater reached its zenith with the presence of distinguished guests, including West Zone Parliament Member Sejalben Pandya, Niren Bhatt, Dilipsinhji Gohil, and other esteemed EC members. The suspense and anticipation culminated as the top three performers in each event were unveiled, with jubilant winners receiving well-deserved medals and certificates. KPES College clinched the title of runners-up, adding to the excitement, while Swami Sahjanand Cluster of Colleges proudly claimed the prestigious General Championship.

Looking back on these three days, the experience was truly extraordinary, blending enjoyment with valuable learning moments. The Youth Festival, a vibrant celebration for the youth, showcased Mahraja Krisnkumarsinhji Bhavnagar University as an outstanding platform for students to showcase their artistic talents and unleash their creativity. The event's success not only highlighted individual achievements but also underscored the spirit of unity and collaboration that defines the university's vibrant cultural community.

Here is Recording of this Ending Ceremony:-